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                  <text>&lt;p&gt;&lt;b&gt;Gunvor Nelson &lt;/b&gt;&lt;span style="font-weight: 400;"&gt;(1931–2025) was one of the most highly acclaimed filmmakers in American avant-garde film. Born in Stockholm, Sweden, Nelson grew up Kristinehamn and moved to northern California in 1953 to study art and art history. Nelson began making films in the early 1960s, releasing her first two films—&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Schmeerguntz&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1966) and &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Fog Pumas&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1967)—Both collaborations with Dorothy Wiley—eventually creating over twenty-five films and digital video works, described by Steve Anker as “one of the great bodies of independent work in the history of the medium.” An uncompromising filmmaker, Nelson regards her own works as “personal films,” a recurring element of which is the connection with her own life and experiences. The early films are based around the experiences of a younger woman, culminating in &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;My Name Is Oona&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1969), an expressive portrait of her daughter and &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Moons Pool &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(1973), an existentially expressive underwater journey which centres on her own body. With&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt; Trollstenen&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1976), she began a series of films about Kristinehamn and her family. Typically for Nelson, elements which are local and private fuse together with the general and universal. Nelson’s family and generational study &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Red Shift &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(1984), and her painfully sensitive portrayal of her dying mother in &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Time Being &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(1991) are regarded as the high points of her family and hometown productions. Nelson moved back to Kristinehamn in 1993, a homecoming already hinted at in her rhythmically edited collage film &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Frame Line&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1983). Having returned to Sweden she quickly moved on to digital video and was rediscovered in Swedish art circles, resulting in a number of awards and retrospectives both at home and abroad. During Nelson’s life in northern California (1953–1993), she was a central figure in the regional art and filmmaking and, with her husband Robert Nelson, played a key role in the development of &lt;/span&gt;&lt;a href="http://www.canyoncinema.com"&gt;&lt;span style="font-weight: 400;"&gt;Canyon Cinema&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; and screened regularly with San Francisco Cinematheque. Nelson also influenced generations of filmmakers in her role as a teacher at the San Francisco Art Institute (1970-1992). In 2019, Nelson’s &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;My Name Is Oona&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; was selected by the US Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant" &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;(Artist bio adapted from &lt;/span&gt;&lt;/i&gt;&lt;a href="https://www.filmform.com/artists/1305-gunvor-nelson/"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Filmform&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;Cinematheque’s digital collection, the &lt;/span&gt;&lt;b&gt;&lt;i&gt;Gunvor Nelson Artist File&lt;/i&gt;&lt;/b&gt; &lt;span style="font-weight: 400;"&gt;contains twelve items, dated 1970–1992, documenting Nelson’s life and career, including promotional ephemera, program reviews, program notes, correspondence and writings by Chick Strand, James Irwin, Dorothy Wiley and Nelson herself. The twelve items in this digital collection were selected for digitization from Cinematheque’s larger artist file on Nelson.&lt;br /&gt;&lt;br /&gt;This digital collection was created in partnership with &lt;/span&gt;&lt;a href="https://californiarevealed.org/"&gt;&lt;span style="font-weight: 400;"&gt;California Revealed&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>Gunvor Nelson; Bolinas Hearsay News; Bolinas Film Society; San Francisco Cinematheque; James Irwin; Paul Liberatorel; Marin Independent Journal; The New Cinema Seminar; and Dorothy Wiley.</text>
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                  <text>Digitization made possible through support provided by California Revealed and the California State Library.</text>
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                  <text>&lt;span style="font-weight: 400;"&gt;Rights to these materials are held by San Francisco Cinematheque. Cinematheque encourages the use of copyrighted materials in accordance with fair use, as defined by copyright law. &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; to discuss proper attribution. &lt;/span&gt;&lt;b&gt;Permission to use material:&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;</text>
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              <text>&lt;iframe width="1000" height="700" src="https://archive.org/embed/casfc_000148" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;</text>
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                <text>James Irwin review of Gunvor Nelson program at the San Francisco Cinematheque</text>
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                <text>Experimental films; Feminist films; Art</text>
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                <text>A review written by James Irwin on a program of Gunvor Nelson's films that was presented by the San Francisco Cinematheque. The review was written for the Cinematograph. </text>
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                <text>San Francisco Cinematheque; Irwin, James</text>
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            <name>Date</name>
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                <text>1985-10-20</text>
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                <text>Digitization made possible through support provided by California Revealed and the California State Library.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14866">
                <text>Copyrighted. Rights are owned by the San Francisco Cinematheque. Copyright Holder has given Institution permission to provide access to the digitized work online. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the Copyright Holder. In addition, the reproduction of some materials may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user.</text>
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                  <text>San Francisco Cinematheque Program Notes 1984–2000</text>
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                  <text>San Francisco Cinematheque</text>
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                  <text>&lt;p&gt;&lt;strong&gt;&lt;a href="https://www.sfcinematheque.org/"&gt;San Francisco Cinematheque&lt;/a&gt;&lt;/strong&gt;&lt;span style="font-weight: 400;"&gt; presents regular screenings of non-commercial and non-narrative at public venues in San Francisco (and elsewhere in the San Francisco Bay Area). &lt;/span&gt;&lt;strong&gt;&lt;i&gt;San Francisco Cinematheque Program Notes 1984–2000 &lt;/i&gt;&lt;/strong&gt;&lt;span style="font-weight: 400;"&gt;is a series of compiled books of Program Notes documenting films and screenings presented by Cinematheque 1984–2000. Compiled annually, these Notes include curatorial statements on programs, original and cited statements on works screened, artist biographies and filmographies. Some volumes indexed.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>San Francisco Cinematheque&#13;
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>1984–2000</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="443">
                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Rights to these publications are held by San Francisco Cinematheque. Cinematheque encourages the use of copyrighted materials in accordance with fair use, as defined by copyright law. &lt;/span&gt;&lt;b&gt;Permission to use material: &lt;/b&gt;&lt;span style="font-weight: 400;"&gt;To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;&lt;/p&gt;</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>English</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>San Francisco, San Francisco Bay Area</text>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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        <name>Dublin Core</name>
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            <name>Title</name>
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                <text>San Francisco Cinematheque Program Notes, 1986</text>
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            <name>Date</name>
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                <text>1986</text>
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                <text>Prelinger Library</text>
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            <name>Creator</name>
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                <text>San Francisco Cinematheque</text>
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            <element elementId="50">
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                  <text>San Francisco Cinematheque Program Calendars 1965-2013</text>
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                  <text>San Francisco Cinematheque</text>
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                <elementText elementTextId="11974">
                  <text>1965-2013</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="11975">
                  <text>&lt;span&gt;Rights to these publications are held by San Francisco Cinematheque. Cinematheque encourages the use of copyrighted materials in accordance with fair use, as defined by copyright law.&amp;nbsp;&lt;/span&gt;&lt;b&gt;Permission to use material:&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span&gt;To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at&amp;nbsp;&lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span&gt;. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;</text>
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            <element elementId="49">
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                  <text>San Francisco Cinematheque</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;&lt;a href="https://www.sfcinematheque.org/"&gt;&lt;b&gt;San Francisco Cinematheque&lt;/b&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; presents regular screenings of non-commercial and non-narrative film and video at public venues in San Francisco (and elsewhere in the San Francisco Bay Area). &lt;/span&gt;&lt;b&gt;&lt;i&gt;San Francisco Cinematheque Program Calendars 1965–2013 &lt;/i&gt;&lt;/b&gt;&lt;span style="font-weight: 400;"&gt;is a collection of digitized program calendars documenting screenings presented by San Francisco Cinematheque 1965–2013 (2013 being the last year paper calendars were published). These calendars include curatorial notes, filmmaker statements and communications to the public from Cinematheque.&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="font-weight: 400;"&gt;This digital collection was created in partnership with &lt;/span&gt;&lt;a href="https://californiarevealed.org/"&gt;&lt;span style="font-weight: 400;"&gt;California Revealed&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;</text>
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                  <text>San Francisco, Calif.</text>
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