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                  <text>Gunvor Nelson Artist File</text>
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                  <text>Gunvor Nelson</text>
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                  <text>&lt;p&gt;&lt;b&gt;Gunvor Nelson &lt;/b&gt;&lt;span style="font-weight: 400;"&gt;(1931–2025) was one of the most highly acclaimed filmmakers in American avant-garde film. Born in Stockholm, Sweden, Nelson grew up Kristinehamn and moved to northern California in 1953 to study art and art history. Nelson began making films in the early 1960s, releasing her first two films—&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Schmeerguntz&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1966) and &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Fog Pumas&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1967)—Both collaborations with Dorothy Wiley—eventually creating over twenty-five films and digital video works, described by Steve Anker as “one of the great bodies of independent work in the history of the medium.” An uncompromising filmmaker, Nelson regards her own works as “personal films,” a recurring element of which is the connection with her own life and experiences. The early films are based around the experiences of a younger woman, culminating in &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;My Name Is Oona&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1969), an expressive portrait of her daughter and &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Moons Pool &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(1973), an existentially expressive underwater journey which centres on her own body. With&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt; Trollstenen&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1976), she began a series of films about Kristinehamn and her family. Typically for Nelson, elements which are local and private fuse together with the general and universal. Nelson’s family and generational study &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Red Shift &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(1984), and her painfully sensitive portrayal of her dying mother in &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Time Being &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(1991) are regarded as the high points of her family and hometown productions. Nelson moved back to Kristinehamn in 1993, a homecoming already hinted at in her rhythmically edited collage film &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Frame Line&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1983). Having returned to Sweden she quickly moved on to digital video and was rediscovered in Swedish art circles, resulting in a number of awards and retrospectives both at home and abroad. During Nelson’s life in northern California (1953–1993), she was a central figure in the regional art and filmmaking and, with her husband Robert Nelson, played a key role in the development of &lt;/span&gt;&lt;a href="http://www.canyoncinema.com"&gt;&lt;span style="font-weight: 400;"&gt;Canyon Cinema&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; and screened regularly with San Francisco Cinematheque. Nelson also influenced generations of filmmakers in her role as a teacher at the San Francisco Art Institute (1970-1992). In 2019, Nelson’s &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;My Name Is Oona&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; was selected by the US Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant" &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;(Artist bio adapted from &lt;/span&gt;&lt;/i&gt;&lt;a href="https://www.filmform.com/artists/1305-gunvor-nelson/"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Filmform&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;Cinematheque’s digital collection, the &lt;/span&gt;&lt;b&gt;&lt;i&gt;Gunvor Nelson Artist File&lt;/i&gt;&lt;/b&gt; &lt;span style="font-weight: 400;"&gt;contains twelve items, dated 1970–1992, documenting Nelson’s life and career, including promotional ephemera, program reviews, program notes, correspondence and writings by Chick Strand, James Irwin, Dorothy Wiley and Nelson herself. The twelve items in this digital collection were selected for digitization from Cinematheque’s larger artist file on Nelson.&lt;br /&gt;&lt;br /&gt;This digital collection was created in partnership with &lt;/span&gt;&lt;a href="https://californiarevealed.org/"&gt;&lt;span style="font-weight: 400;"&gt;California Revealed&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>Gunvor Nelson; Bolinas Hearsay News; Bolinas Film Society; San Francisco Cinematheque; James Irwin; Paul Liberatorel; Marin Independent Journal; The New Cinema Seminar; and Dorothy Wiley.</text>
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                  <text>c.1970-1992</text>
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                  <text>Digitization made possible through support provided by California Revealed and the California State Library.</text>
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                  <text>&lt;span style="font-weight: 400;"&gt;Rights to these materials are held by San Francisco Cinematheque. Cinematheque encourages the use of copyrighted materials in accordance with fair use, as defined by copyright law. &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; to discuss proper attribution. &lt;/span&gt;&lt;b&gt;Permission to use material:&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;</text>
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                  <text>English</text>
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      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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              <text>&lt;iframe width="1000" height="700" src="https://archive.org/embed/casfc_000232" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;</text>
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                <text>Warren Sonbert/Gunvor Nelson press release</text>
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                <text>Experimental films, Art</text>
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                <text>Press release documenting screening of films by Warren Sonbert and Gunvor Nelson, May 6, 1990. Warren Sonbert (June 26, 1947 - May 31, 1995) was an experimental filmmaker whose work began in New York in the mid-1960s, and continued in San Francisco throughout the second half of his life. Sonbert taught filmmaking at the San Francisco Art Institute, the School of the Art Institute of Chicago, and Bard College at various times, and regularly reviewed classical recordings and opera, as well as film, for periodicals including The Advocate and the Bay Area Reporter. He died of complications from AIDS at his home in San Francisco in 1995. Swedish artist and experimental filmmaker Gunvor Grundel Nelson was born in 1931 in Kristinehamn, Sweden. Some of her most widely known works were created while she lived in the Bay Area in the mid-1960s and early 1970s, where she became well established among other artists in the avant-garde film circles.</text>
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                <text>Sonbert, Warren; San Francisco Cinematheque</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1990-05-06</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Digitization made possible through support provided by California Revealed and the California State Library.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="14999">
                <text>Copyright status unknown. This work may be protected by the U.S. Copyright Law (Title 17, U.S.C.). In addition, its reproduction may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. This work is accessible for purposes of education and research. Transmission or reproduction of works protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. [Insert name of Library/Archive] attempted to find rights owners without success but is eager to hear from them so that we may obtain permission, if needed. Upon request to [insert email address at Library/Archive], digitized works can be removed from public view if there are rights issues that need to be resolved.</text>
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                <text>English</text>
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                <text>SFC-AF_Sonbert_pressrelease2</text>
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                  <text>Avant to Live! Craig Baldwin/Other Cinema Digital Collection</text>
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                  <text>&lt;p&gt;&lt;a href="http://www.othercinema.com/"&gt;&lt;span style="font-weight: 400;"&gt;Other Cinema&lt;/span&gt;&lt;/a&gt; &lt;span style="font-weight: 400;"&gt;is an underground film/video exhibition series founded by filmmaker Craig Baldwin in 1985. Still active as of 2022, Other Cinema presents approximately 36 programs annually at the storefront community arts space &lt;/span&gt;&lt;a href="http://www.atasite.org"&gt;&lt;span style="font-weight: 400;"&gt;Artists’ Television Access&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;, located at 992 Valencia Street in San Francisco. Known for its passionate and expansive curatorial vision and contrarian stance toward the mainstream culture of media consumption, Other Cinema is known for its engagement with marginalized forms of film history, including activist media, expanded cinema performance, speculative lecture presentations, screenings of films from Baldwin’s own archive, in-person artists and more. Cinematheque’s &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Other Cinema Digital Collection&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; consists of material digitized by Cinematheque in the course of creating &lt;/span&gt;&lt;a href="https://www.sfcinematheque.org/shop/craig-baldwin-avant-to-live-coming-soon/"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Craig Baldwin: Avant to Live!&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; documenting Baldwin’s work on Other Cinema. Materials include seasonal exhibition calendars, promotional ephemera, curatorial notes and artifacts, signage and other material related to the history of Other Cinema.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>San Francisco Cinematheque</text>
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                  <text>&lt;span style="font-weight: 400;"&gt;Craig Baldwin, Other Cinema &lt;/span&gt;</text>
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              <description>An entity primarily responsible for making the resource</description>
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                  <text>Craig Baldwin</text>
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                  <text>Other Cinema</text>
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              <name>Date</name>
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                  <text>c.1982–2018</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Referencing the originating collection, Craig Baldwin has been listed as a Creator for almost every item in this collection. For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection however so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; to discuss proper attribution. &lt;/span&gt;&lt;b&gt;Permission to use material: &lt;/b&gt;&lt;span&gt;To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span&gt;. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>English</text>
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                  <text>San Francisco, Calif.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Title</name>
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                <text>Industrial-Film Atrocity Exhibit ephemera</text>
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                <text>1990</text>
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                <text>Production element used in the creation of poster for "Industrial-Film Atrocity Exhibit” screening, presented at Other Cinema, August 4, 1990. Image from Jack Stevenson’s Pandemonium magazine.</text>
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                <text>Stevenson, Jack</text>
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                <text>English</text>
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                <text>ephemera</text>
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                <text>Other Cinema; Artists Television Access (ATA)</text>
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                <text>Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research.&#13;
Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. &#13;
Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests.</text>
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                  <text>&lt;p&gt;&lt;a href="http://www.othercinema.com/"&gt;&lt;span style="font-weight: 400;"&gt;Other Cinema&lt;/span&gt;&lt;/a&gt; &lt;span style="font-weight: 400;"&gt;is an underground film/video exhibition series founded by filmmaker Craig Baldwin in 1985. Still active as of 2022, Other Cinema presents approximately 36 programs annually at the storefront community arts space &lt;/span&gt;&lt;a href="http://www.atasite.org"&gt;&lt;span style="font-weight: 400;"&gt;Artists’ Television Access&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;, located at 992 Valencia Street in San Francisco. Known for its passionate and expansive curatorial vision and contrarian stance toward the mainstream culture of media consumption, Other Cinema is known for its engagement with marginalized forms of film history, including activist media, expanded cinema performance, speculative lecture presentations, screenings of films from Baldwin’s own archive, in-person artists and more. Cinematheque’s &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Other Cinema Digital Collection&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; consists of material digitized by Cinematheque in the course of creating &lt;/span&gt;&lt;a href="https://www.sfcinematheque.org/shop/craig-baldwin-avant-to-live-coming-soon/"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Craig Baldwin: Avant to Live!&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; documenting Baldwin’s work on Other Cinema. Materials include seasonal exhibition calendars, promotional ephemera, curatorial notes and artifacts, signage and other material related to the history of Other Cinema.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>Other Cinema</text>
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              <name>Date</name>
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                  <text>c.1982–2018</text>
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              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="436">
                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Referencing the originating collection, Craig Baldwin has been listed as a Creator for almost every item in this collection. For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection however so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; to discuss proper attribution. &lt;/span&gt;&lt;b&gt;Permission to use material: &lt;/b&gt;&lt;span&gt;To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span&gt;. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>San Francisco, Calif.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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                <text>Sub-Cinema flyer, 1985</text>
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                <text>Sub-Cinema programs screened 3/30/1985 and 4/6/1985. Programs include Rock Rock Rock, and Cobra Woman. Presented by San Francisco Cinematheque at New College Gallery, San Francisco. Programs curated by Craig Baldwin. </text>
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            <description>The topic of the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2203">
                <text>Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research.&#13;
Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. &#13;
Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests.</text>
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                  <text>Gunvor Nelson</text>
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                  <text>&lt;p&gt;&lt;b&gt;Gunvor Nelson &lt;/b&gt;&lt;span style="font-weight: 400;"&gt;(1931–2025) was one of the most highly acclaimed filmmakers in American avant-garde film. Born in Stockholm, Sweden, Nelson grew up Kristinehamn and moved to northern California in 1953 to study art and art history. Nelson began making films in the early 1960s, releasing her first two films—&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Schmeerguntz&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1966) and &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Fog Pumas&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1967)—Both collaborations with Dorothy Wiley—eventually creating over twenty-five films and digital video works, described by Steve Anker as “one of the great bodies of independent work in the history of the medium.” An uncompromising filmmaker, Nelson regards her own works as “personal films,” a recurring element of which is the connection with her own life and experiences. The early films are based around the experiences of a younger woman, culminating in &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;My Name Is Oona&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1969), an expressive portrait of her daughter and &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Moons Pool &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(1973), an existentially expressive underwater journey which centres on her own body. With&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt; Trollstenen&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1976), she began a series of films about Kristinehamn and her family. Typically for Nelson, elements which are local and private fuse together with the general and universal. Nelson’s family and generational study &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Red Shift &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(1984), and her painfully sensitive portrayal of her dying mother in &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Time Being &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(1991) are regarded as the high points of her family and hometown productions. Nelson moved back to Kristinehamn in 1993, a homecoming already hinted at in her rhythmically edited collage film &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Frame Line&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1983). Having returned to Sweden she quickly moved on to digital video and was rediscovered in Swedish art circles, resulting in a number of awards and retrospectives both at home and abroad. During Nelson’s life in northern California (1953–1993), she was a central figure in the regional art and filmmaking and, with her husband Robert Nelson, played a key role in the development of &lt;/span&gt;&lt;a href="http://www.canyoncinema.com"&gt;&lt;span style="font-weight: 400;"&gt;Canyon Cinema&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; and screened regularly with San Francisco Cinematheque. Nelson also influenced generations of filmmakers in her role as a teacher at the San Francisco Art Institute (1970-1992). In 2019, Nelson’s &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;My Name Is Oona&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; was selected by the US Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant" &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;(Artist bio adapted from &lt;/span&gt;&lt;/i&gt;&lt;a href="https://www.filmform.com/artists/1305-gunvor-nelson/"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Filmform&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;Cinematheque’s digital collection, the &lt;/span&gt;&lt;b&gt;&lt;i&gt;Gunvor Nelson Artist File&lt;/i&gt;&lt;/b&gt; &lt;span style="font-weight: 400;"&gt;contains twelve items, dated 1970–1992, documenting Nelson’s life and career, including promotional ephemera, program reviews, program notes, correspondence and writings by Chick Strand, James Irwin, Dorothy Wiley and Nelson herself. The twelve items in this digital collection were selected for digitization from Cinematheque’s larger artist file on Nelson.&lt;br /&gt;&lt;br /&gt;This digital collection was created in partnership with &lt;/span&gt;&lt;a href="https://californiarevealed.org/"&gt;&lt;span style="font-weight: 400;"&gt;California Revealed&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>Gunvor Nelson; Bolinas Hearsay News; Bolinas Film Society; San Francisco Cinematheque; James Irwin; Paul Liberatorel; Marin Independent Journal; The New Cinema Seminar; and Dorothy Wiley.</text>
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              <name>Date</name>
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                  <text>c.1970-1992</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Digitization made possible through support provided by California Revealed and the California State Library.</text>
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              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="15009">
                  <text>&lt;span style="font-weight: 400;"&gt;Rights to these materials are held by San Francisco Cinematheque. Cinematheque encourages the use of copyrighted materials in accordance with fair use, as defined by copyright law. &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; to discuss proper attribution. &lt;/span&gt;&lt;b&gt;Permission to use material:&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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              <text>&lt;iframe width="1000" height="700" src="https://archive.org/embed/casfc_000137" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Chick Strand Recollections article</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Experimental films; Feminist films; Art</text>
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            <description>An account of the resource</description>
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                <text>"Chick Strand's Recollections of Canyon Cinema's Early Beginnings with Added Commentary from Chick Callenbach." Transcribed conversation between Chick Strand and Ernest (Chick) Callenbach, Gunvor Nelson and Diane [Kitchen?]. Date unknown. Mildred "Chick" Strand (December 3, 1931 - July 11, 2009) was an experimental filmmaker who contributed to the movement of women's experimental cinema in the early 1960s-1970s. Chick Strand studied anthropology at the University of California, Berkeley, and in the early 1960s organized film happenings with Bruce Baillie. In 1961, Strand established the Canyon CinemaNews, a monthly filmmakers' journal which became a focal point for the West Coast independent film movement and a precursor to the filmmakers' collective called Canyon Cinema founded by others, including Baillie, in 1967.</text>
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                <text>Strand, Chick; Nelson, Gunvor; Callenbach, Chick (Ernest); Diane [Kitchen?]</text>
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            <name>Date</name>
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              <elementText elementTextId="14964">
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            <name>Contributor</name>
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                <text>Digitization made possible through support provided by California Revealed and the California State Library.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14966">
                <text>Copyright status unknown. This work may be protected by the U.S. Copyright Law (Title 17, U.S.C.). In addition, its reproduction may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. This work is accessible for purposes of education and research. Transmission or reproduction of works protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. [Insert name of Library/Archive] attempted to find rights owners without success but is eager to hear from them so that we may obtain permission, if needed. Upon request to [insert email address at Library/Archive], digitized works can be removed from public view if there are rights issues that need to be resolved.</text>
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                  <text>&lt;span style="font-weight: 400;"&gt;Craig Baldwin, Other Cinema &lt;/span&gt;</text>
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                  <text>Other Cinema</text>
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                  <text>c.1982–2018</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Referencing the originating collection, Craig Baldwin has been listed as a Creator for almost every item in this collection. For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection however so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; to discuss proper attribution. &lt;/span&gt;&lt;b&gt;Permission to use material: &lt;/b&gt;&lt;span&gt;To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span&gt;. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>San Francisco, Calif.</text>
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                <text>Lucky Bum Film Tour flyer, 2002</text>
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                <text>Flyer for Lucky Bum Film Tour, 2002, organized by Vanessa Renwick and Bill Daniel. Touring program Includes films by Vanessa Renwick, Bill Daniel, and Bryan Boyce. Flyer from the archives of Craig Baldwin.</text>
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                <text>Tejaratchi, Sean</text>
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                <text>Other Cinema</text>
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              <elementText elementTextId="2521">
                <text>Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research.&#13;
Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. &#13;
Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests.</text>
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                  <text>Gunvor Nelson</text>
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                  <text>&lt;p&gt;&lt;b&gt;Gunvor Nelson &lt;/b&gt;&lt;span style="font-weight: 400;"&gt;(1931–2025) was one of the most highly acclaimed filmmakers in American avant-garde film. Born in Stockholm, Sweden, Nelson grew up Kristinehamn and moved to northern California in 1953 to study art and art history. Nelson began making films in the early 1960s, releasing her first two films—&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Schmeerguntz&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1966) and &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Fog Pumas&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1967)—Both collaborations with Dorothy Wiley—eventually creating over twenty-five films and digital video works, described by Steve Anker as “one of the great bodies of independent work in the history of the medium.” An uncompromising filmmaker, Nelson regards her own works as “personal films,” a recurring element of which is the connection with her own life and experiences. The early films are based around the experiences of a younger woman, culminating in &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;My Name Is Oona&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1969), an expressive portrait of her daughter and &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Moons Pool &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(1973), an existentially expressive underwater journey which centres on her own body. With&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt; Trollstenen&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1976), she began a series of films about Kristinehamn and her family. Typically for Nelson, elements which are local and private fuse together with the general and universal. Nelson’s family and generational study &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Red Shift &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(1984), and her painfully sensitive portrayal of her dying mother in &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Time Being &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(1991) are regarded as the high points of her family and hometown productions. Nelson moved back to Kristinehamn in 1993, a homecoming already hinted at in her rhythmically edited collage film &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Frame Line&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1983). Having returned to Sweden she quickly moved on to digital video and was rediscovered in Swedish art circles, resulting in a number of awards and retrospectives both at home and abroad. During Nelson’s life in northern California (1953–1993), she was a central figure in the regional art and filmmaking and, with her husband Robert Nelson, played a key role in the development of &lt;/span&gt;&lt;a href="http://www.canyoncinema.com"&gt;&lt;span style="font-weight: 400;"&gt;Canyon Cinema&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; and screened regularly with San Francisco Cinematheque. Nelson also influenced generations of filmmakers in her role as a teacher at the San Francisco Art Institute (1970-1992). In 2019, Nelson’s &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;My Name Is Oona&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; was selected by the US Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant" &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;(Artist bio adapted from &lt;/span&gt;&lt;/i&gt;&lt;a href="https://www.filmform.com/artists/1305-gunvor-nelson/"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Filmform&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;Cinematheque’s digital collection, the &lt;/span&gt;&lt;b&gt;&lt;i&gt;Gunvor Nelson Artist File&lt;/i&gt;&lt;/b&gt; &lt;span style="font-weight: 400;"&gt;contains twelve items, dated 1970–1992, documenting Nelson’s life and career, including promotional ephemera, program reviews, program notes, correspondence and writings by Chick Strand, James Irwin, Dorothy Wiley and Nelson herself. The twelve items in this digital collection were selected for digitization from Cinematheque’s larger artist file on Nelson.&lt;br /&gt;&lt;br /&gt;This digital collection was created in partnership with &lt;/span&gt;&lt;a href="https://californiarevealed.org/"&gt;&lt;span style="font-weight: 400;"&gt;California Revealed&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>Gunvor Nelson; Bolinas Hearsay News; Bolinas Film Society; San Francisco Cinematheque; James Irwin; Paul Liberatorel; Marin Independent Journal; The New Cinema Seminar; and Dorothy Wiley.</text>
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              <name>Date</name>
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                  <text>c.1970-1992</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Digitization made possible through support provided by California Revealed and the California State Library.</text>
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            </element>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="15009">
                  <text>&lt;span style="font-weight: 400;"&gt;Rights to these materials are held by San Francisco Cinematheque. Cinematheque encourages the use of copyrighted materials in accordance with fair use, as defined by copyright law. &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; to discuss proper attribution. &lt;/span&gt;&lt;b&gt;Permission to use material:&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;</text>
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              <name>Language</name>
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      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>&lt;iframe width="1000" height="700" src="https://archive.org/embed/casfc_000150" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;</text>
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                <text>The New Cinema Seminar Gunvor Nelson poster</text>
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                <text>Experimental films; Feminist films; Art</text>
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                <text>Poster advertising a program of Gunvor Nelson's films Kirsa Nichola, Schmeerguntz, Fog Pumas, and My Name is Oona, presented by the New Cinema Seminar. </text>
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                <text>The New Cinema Seminar</text>
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            <name>Date</name>
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                <text>1970~</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Digitization made possible through support provided by California Revealed and the California State Library.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14890">
                <text>Copyright status unknown. This work may be protected by the U.S. Copyright Law (Title 17, U.S.C.). In addition, its reproduction may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. This work is accessible for purposes of education and research. Transmission or reproduction of works protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. [Insert name of Library/Archive] attempted to find rights owners without success but is eager to hear from them so that we may obtain permission, if needed. Upon request to [insert email address at Library/Archive], digitized works can be removed from public view if there are rights issues that need to be resolved.</text>
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                <text>Poster</text>
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                <text>SFC-AF_GNelson_NewCinemaSeminarPoster</text>
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              <name>Title</name>
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                  <text>Avant to Live! Craig Baldwin/Other Cinema Digital Collection</text>
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                  <text>&lt;p&gt;&lt;a href="http://www.othercinema.com/"&gt;&lt;span style="font-weight: 400;"&gt;Other Cinema&lt;/span&gt;&lt;/a&gt; &lt;span style="font-weight: 400;"&gt;is an underground film/video exhibition series founded by filmmaker Craig Baldwin in 1985. Still active as of 2022, Other Cinema presents approximately 36 programs annually at the storefront community arts space &lt;/span&gt;&lt;a href="http://www.atasite.org"&gt;&lt;span style="font-weight: 400;"&gt;Artists’ Television Access&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;, located at 992 Valencia Street in San Francisco. Known for its passionate and expansive curatorial vision and contrarian stance toward the mainstream culture of media consumption, Other Cinema is known for its engagement with marginalized forms of film history, including activist media, expanded cinema performance, speculative lecture presentations, screenings of films from Baldwin’s own archive, in-person artists and more. Cinematheque’s &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Other Cinema Digital Collection&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; consists of material digitized by Cinematheque in the course of creating &lt;/span&gt;&lt;a href="https://www.sfcinematheque.org/shop/craig-baldwin-avant-to-live-coming-soon/"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Craig Baldwin: Avant to Live!&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; documenting Baldwin’s work on Other Cinema. Materials include seasonal exhibition calendars, promotional ephemera, curatorial notes and artifacts, signage and other material related to the history of Other Cinema.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>San Francisco Cinematheque</text>
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                  <text>&lt;span style="font-weight: 400;"&gt;Craig Baldwin, Other Cinema &lt;/span&gt;</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Craig Baldwin</text>
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              </elementTextContainer>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                <elementText elementTextId="434">
                  <text>Other Cinema</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <elementText elementTextId="435">
                  <text>c.1982–2018</text>
                </elementText>
              </elementTextContainer>
            </element>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="436">
                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Referencing the originating collection, Craig Baldwin has been listed as a Creator for almost every item in this collection. For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection however so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; to discuss proper attribution. &lt;/span&gt;&lt;b&gt;Permission to use material: &lt;/b&gt;&lt;span&gt;To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span&gt;. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;&lt;/p&gt;</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>English</text>
                </elementText>
              </elementTextContainer>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>San Francisco, Calif.</text>
                </elementText>
              </elementTextContainer>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Artists' Television Access benefit flyer, 3/1989</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1989</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2585">
                <text>Flyer for a benefit series which took place March 2-5, 1989. Includes the best of five years of local video, performance, prose, film, and music. Artists listed include Leslie Singer, Ed Jones, Scott Alexander, Aaron Noble, Al-X, Scarlot Harlot, Dee Russell, Tony Labat, Peter Plate, Petra Muller, Elizabeth Dewey, Michael Sneathen, Peter Menchini, Vince Oresman and Fred Rinne.</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>unknown</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>text</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>flyers (printed matter)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Other Cinema;Artists Television Access (ATA)</text>
              </elementText>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2591">
                <text>Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research.&#13;
Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. &#13;
Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CBATL_OC-06-UF-013</text>
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        <name>Artists' Television Access (ATA)</name>
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        <name>Other Cinema</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Avant to Live! Craig Baldwin/Other Cinema Digital Collection</text>
                </elementText>
              </elementTextContainer>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="430">
                  <text>&lt;p&gt;&lt;a href="http://www.othercinema.com/"&gt;&lt;span style="font-weight: 400;"&gt;Other Cinema&lt;/span&gt;&lt;/a&gt; &lt;span style="font-weight: 400;"&gt;is an underground film/video exhibition series founded by filmmaker Craig Baldwin in 1985. Still active as of 2022, Other Cinema presents approximately 36 programs annually at the storefront community arts space &lt;/span&gt;&lt;a href="http://www.atasite.org"&gt;&lt;span style="font-weight: 400;"&gt;Artists’ Television Access&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;, located at 992 Valencia Street in San Francisco. Known for its passionate and expansive curatorial vision and contrarian stance toward the mainstream culture of media consumption, Other Cinema is known for its engagement with marginalized forms of film history, including activist media, expanded cinema performance, speculative lecture presentations, screenings of films from Baldwin’s own archive, in-person artists and more. Cinematheque’s &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Other Cinema Digital Collection&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; consists of material digitized by Cinematheque in the course of creating &lt;/span&gt;&lt;a href="https://www.sfcinematheque.org/shop/craig-baldwin-avant-to-live-coming-soon/"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Craig Baldwin: Avant to Live!&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; documenting Baldwin’s work on Other Cinema. Materials include seasonal exhibition calendars, promotional ephemera, curatorial notes and artifacts, signage and other material related to the history of Other Cinema.&lt;/span&gt;&lt;/p&gt;</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>San Francisco Cinematheque</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>&lt;span style="font-weight: 400;"&gt;Craig Baldwin, Other Cinema &lt;/span&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Craig Baldwin</text>
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            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="434">
                  <text>Other Cinema</text>
                </elementText>
              </elementTextContainer>
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            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <elementText elementTextId="435">
                  <text>c.1982–2018</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="436">
                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Referencing the originating collection, Craig Baldwin has been listed as a Creator for almost every item in this collection. For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection however so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; to discuss proper attribution. &lt;/span&gt;&lt;b&gt;Permission to use material: &lt;/b&gt;&lt;span&gt;To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span&gt;. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;&lt;/p&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="38">
              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>San Francisco, Calif.</text>
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              </elementTextContainer>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>A Drink With Louis by Sam Green sign, circa 2014</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="3735">
                <text>circa 2014</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>"Just added! The world premiere of Sam Green's 'A Drink With Louis' and free 1/4" tape!" handwritten promotional ephemera, circa 2014.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>unknown</text>
              </elementText>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>text</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>posters; ephemera</text>
              </elementText>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Other Cinema; Artists Television Access (ATA)</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3742">
                <text>Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research.
Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. 
Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CBATL_OC-04-UF-011-Front</text>
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        <name>Artists' Television Access (ATA)</name>
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        <name>Other Cinema</name>
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</itemContainer>
