30 10 312 https://www.archive.sfcinematheque.org/files/original/bd13ce2374763433796a5848930b95d9.jpeg cdb50800ced04fb4f8bd2141f63f30dc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource San Francisco Cinematheque Program Calendars 1978-2013 Creator An entity primarily responsible for making the resource San Francisco Cinematheque Date A point or period of time associated with an event in the lifecycle of the resource 1978-2013 Rights Information about rights held in and over the resource Rights to these publications are held by San Francisco Cinematheque. Cinematheque encourages the use of copyrighted materials in accordance with fair use, as defined by copyright law. Permission to use material: To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at <a href="mailto:sfc@sfcinematheque.org">sfc@sfcinematheque.org</a>. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives. Subject The topic of the resource San Francisco Cinematheque Description An account of the resource <a href="https://www.sfcinematheque.org/">San Francisco Cinematheque</a> presents regular screenings of non-commercial and non-narrative film and video at public venues in San Francisco (and elsewhere in the San Francisco Bay Area). San Francisco Cinematheque Program Calendars 1978–2013 is a collection of digitized program calendars documenting screenings presented by San Francisco Cinematheque 1978–2013 (2013 being the last year paper calendars were published). These calendars include curatorial notes, filmmaker statements and communications to the public from Cinematheque.  This digital collection was created in partnership with <a href="https://californiarevealed.org/">California Revealed</a>. Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Francisco, Calif. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Local URL The URL of the local directory containing all assets of the website <iframe width="1000" height="700" src="https://archive.org/embed/casfc_000116" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource San Francisco Cinematheque program calendar, September-October 1988 Identifier An unambiguous reference to the resource within a given context casfc_000116 Date A point or period of time associated with an event in the lifecycle of the resource 1988 Creator An entity primarily responsible for making the resource San Francisco Cinematheque Description An account of the resource Poster listing film programs offered by the San Francisco Cinematheque. Programs were held at the San Francisco Art Institute. Format The file format, physical medium, or dimensions of the resource motion picture theater programs Subject The topic of the resource Experimental films--California--San Francisco Bay Area; Motion picture programs Language A language of the resource eng Rights Information about rights held in and over the resource Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests. Contributor An entity responsible for making contributions to the resource Digitization made possible through support provided by California Revealed and the California State Library. https://www.archive.sfcinematheque.org/files/original/9e522d692177c0ffd4966615e8c85dbd.jpeg ba639c5dedff1b3efad147e0c27539e1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource San Francisco Cinematheque Program Calendars 1978-2013 Creator An entity primarily responsible for making the resource San Francisco Cinematheque Date A point or period of time associated with an event in the lifecycle of the resource 1978-2013 Rights Information about rights held in and over the resource Rights to these publications are held by San Francisco Cinematheque. Cinematheque encourages the use of copyrighted materials in accordance with fair use, as defined by copyright law. Permission to use material: To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at <a href="mailto:sfc@sfcinematheque.org">sfc@sfcinematheque.org</a>. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives. Subject The topic of the resource San Francisco Cinematheque Description An account of the resource <a href="https://www.sfcinematheque.org/">San Francisco Cinematheque</a> presents regular screenings of non-commercial and non-narrative film and video at public venues in San Francisco (and elsewhere in the San Francisco Bay Area). San Francisco Cinematheque Program Calendars 1978–2013 is a collection of digitized program calendars documenting screenings presented by San Francisco Cinematheque 1978–2013 (2013 being the last year paper calendars were published). These calendars include curatorial notes, filmmaker statements and communications to the public from Cinematheque.  This digital collection was created in partnership with <a href="https://californiarevealed.org/">California Revealed</a>. Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Francisco, Calif. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. URL <iframe width="1000" height="700" src="https://archive.org/embed/casfc_000117" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"></iframe> Local URL The URL of the local directory containing all assets of the website <iframe width="1000" height="700" src="https://archive.org/embed/casfc_000117" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource San Francisco Cinematheque program calendar, April-June 1999 Identifier An unambiguous reference to the resource within a given context casfc_000117 Date A point or period of time associated with an event in the lifecycle of the resource 1999 Creator An entity primarily responsible for making the resource San Francisco Cinematheque Description An account of the resource Poster listing film programs offered by the San Francisco Cinematheque. Programs were held at the San Francisco Art Institute. Format The file format, physical medium, or dimensions of the resource motion picture theater programs Subject The topic of the resource Experimental films--California--San Francisco Bay Area; Motion picture programs Language A language of the resource eng Rights Information about rights held in and over the resource Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests. Contributor An entity responsible for making contributions to the resource Digitization made possible through support provided by California Revealed and the California State Library. https://www.archive.sfcinematheque.org/files/original/99b96d9b0b9c9cf3aea0833220e001b9.jpeg 5d4ca1cda94bf2032024cf48a2123597 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource San Francisco Cinematheque Program Calendars 1978-2013 Creator An entity primarily responsible for making the resource San Francisco Cinematheque Date A point or period of time associated with an event in the lifecycle of the resource 1978-2013 Rights Information about rights held in and over the resource Rights to these publications are held by San Francisco Cinematheque. Cinematheque encourages the use of copyrighted materials in accordance with fair use, as defined by copyright law. Permission to use material: To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at <a href="mailto:sfc@sfcinematheque.org">sfc@sfcinematheque.org</a>. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives. Subject The topic of the resource San Francisco Cinematheque Description An account of the resource <a href="https://www.sfcinematheque.org/">San Francisco Cinematheque</a> presents regular screenings of non-commercial and non-narrative film and video at public venues in San Francisco (and elsewhere in the San Francisco Bay Area). San Francisco Cinematheque Program Calendars 1978–2013 is a collection of digitized program calendars documenting screenings presented by San Francisco Cinematheque 1978–2013 (2013 being the last year paper calendars were published). These calendars include curatorial notes, filmmaker statements and communications to the public from Cinematheque.  This digital collection was created in partnership with <a href="https://californiarevealed.org/">California Revealed</a>. Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Francisco, Calif. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Local URL The URL of the local directory containing all assets of the website <iframe width="1000" height="700" src="https://archive.org/embed/casfc_000118" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource San Francisco Cinematheque program calendar, January-May 2011 Identifier An unambiguous reference to the resource within a given context casfc_000118 Date A point or period of time associated with an event in the lifecycle of the resource 2011 Creator An entity primarily responsible for making the resource San Francisco Cinematheque Description An account of the resource Poster listing film programs offered by the San Francisco Cinematheque. Programs were held at the San Francisco Art Institute. Format The file format, physical medium, or dimensions of the resource motion picture theater programs Subject The topic of the resource Experimental films--California--San Francisco Bay Area; Motion picture programs Language A language of the resource eng Rights Information about rights held in and over the resource Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests. Contributor An entity responsible for making contributions to the resource Digitization made possible through support provided by California Revealed and the California State Library. https://www.archive.sfcinematheque.org/files/original/1ffd47ee52e17d103a0fcc6229df590d.png 1d5083fafe3f144a770da45a26d80fc8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gunvor Nelson Artist File Subject The topic of the resource Gunvor Nelson Description An account of the resource Gunvor Nelson (1931–2025) was one of the most highly acclaimed filmmakers in American avant-garde film. Born in Stockholm, Sweden, Nelson grew up Kristinehamn and moved to northern California in 1953 to study art and art history. Nelson began making films in the early 1960s, releasing her first two films—Schmeerguntz (1966) and Fog Pumas (1967)—Both collaborations with Dorothy Wiley—eventually creating over twenty-five films and digital video works, described by Steve Anker as “one of the great bodies of independent work in the history of the medium.” An uncompromising filmmaker, Nelson regards her own works as “personal films,” a recurring element of which is the connection with her own life and experiences. The early films are based around the experiences of a younger woman, culminating in My Name Is Oona (1969), an expressive portrait of her daughter and Moons Pool (1973), an existentially expressive underwater journey which centres on her own body. With Trollstenen (1976), she began a series of films about Kristinehamn and her family. Typically for Nelson, elements which are local and private fuse together with the general and universal. Nelson’s family and generational study Red Shift (1984), and her painfully sensitive portrayal of her dying mother in Time Being (1991) are regarded as the high points of her family and hometown productions. Nelson moved back to Kristinehamn in 1993, a homecoming already hinted at in her rhythmically edited collage film Frame Line (1983). Having returned to Sweden she quickly moved on to digital video and was rediscovered in Swedish art circles, resulting in a number of awards and retrospectives both at home and abroad. During Nelson’s life in northern California (1953–1993), she was a central figure in the regional art and filmmaking and, with her husband Robert Nelson, played a key role in the development of <a href="http://www.canyoncinema.com">Canyon Cinema</a> and screened regularly with San Francisco Cinematheque. Nelson also influenced generations of filmmakers in her role as a teacher at the San Francisco Art Institute (1970-1992). In 2019, Nelson’s My Name Is Oona was selected by the US Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant" (Artist bio adapted from <a href="https://www.filmform.com/artists/1305-gunvor-nelson/">Filmform</a>) Cinematheque’s digital collection, the Gunvor Nelson Artist File contains twelve items, dated 1970–1992, documenting Nelson’s life and career, including promotional ephemera, program reviews, program notes, correspondence and writings by Chick Strand, James Irwin, Dorothy Wiley and Nelson herself. The twelve items in this digital collection were selected for digitization from Cinematheque’s larger artist file on Nelson. This digital collection was created in partnership with <a href="https://californiarevealed.org/">California Revealed</a>. Creator An entity primarily responsible for making the resource Gunvor Nelson; Bolinas Hearsay News; Bolinas Film Society; San Francisco Cinematheque; James Irwin; Paul Liberatorel; Marin Independent Journal; The New Cinema Seminar; and Dorothy Wiley. Date A point or period of time associated with an event in the lifecycle of the resource c.1970-1992 Contributor An entity responsible for making contributions to the resource Digitization made possible through support provided by California Revealed and the California State Library. Rights Information about rights held in and over the resource Rights to these materials are held by San Francisco Cinematheque. Cinematheque encourages the use of copyrighted materials in accordance with fair use, as defined by copyright law. For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at <a href="mailto:sfc@sfcinematheque.org">sfc@sfcinematheque.org</a> to discuss proper attribution. Permission to use material: To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at <a href="mailto:sfc@sfcinematheque.org">sfc@sfcinematheque.org</a>. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives. Language A language of the resource English Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Local URL The URL of the local directory containing all assets of the website <iframe width="1000" height="700" src="https://archive.org/embed/casfc_000148" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Irwin review of Gunvor Nelson program at the San Francisco Cinematheque Subject The topic of the resource Experimental films; Feminist films; Art Description An account of the resource A review written by James Irwin on a program of Gunvor Nelson's films that was presented by the San Francisco Cinematheque. The review was written for the Cinematograph. Creator An entity primarily responsible for making the resource San Francisco Cinematheque; Irwin, James Date A point or period of time associated with an event in the lifecycle of the resource 1985-10-20 Contributor An entity responsible for making contributions to the resource Digitization made possible through support provided by California Revealed and the California State Library. Rights Information about rights held in and over the resource Copyrighted. Rights are owned by the San Francisco Cinematheque. Copyright Holder has given Institution permission to provide access to the digitized work online. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the Copyright Holder. In addition, the reproduction of some materials may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource Document Language A language of the resource English Identifier An unambiguous reference to the resource within a given context SFC-AF_GNelson_JIrwinReview https://www.archive.sfcinematheque.org/files/original/71f40114fe484a08ee99f761ba4a35e3.jpeg 75d67ef840e34e3a508acd858b60b632 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bruce Baillie Artist File Creator An entity primarily responsible for making the resource San Francisco Cinematheque; Canyon Cinema; Bruce Baillie Rights Information about rights held in and over the resource Rights to these materials are held by San Francisco Cinematheque and Canyon Cinema. Cinematheque encourages the use of copyrighted materials in accordance with fair use, as defined by copyright law. For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on materials in this collection however so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at <a href="mailto:sfc@sfcinematheque.org">sfc@sfcinematheque.org</a> to discuss proper attribution.  Permission to use material: To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at sfc@sfcinematheque.org. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives. Date A point or period of time associated with an event in the lifecycle of the resource c. 1960-2010 Subject The topic of the resource Bruce Baillie Description An account of the resource Bruce Baillie (1931–2020) was an American filmmaker widely hailed as a master of 16mm personal filmmaking, whose works epitomize the “lyrical” mode of filmmaking strongly identified with ‘60s era northern California counterculture. In 1961 Baillie staged an impromptu film screening in his mother’s front yard in the rural community of Canyon CA. This screening—dubbed Canyon Cinema—was followed by more and eventually grew into a peripatetic film series, filmmaker support organization, publisher (of <a href="https://connects.canyoncinema.com/327-2/">Canyon Cinema News</a>) and avant-garde film distributor. To this day both San Francisco Cinematheque and <a href="http://canyoncinema.com/">Canyon Cinema</a> trace their origins to the visionary moment of Baillie’s 1961 screening. The Bruce Baillie Artist File collection contains primary and secondary documents relating to the life and work of Bruce Baillie drawn from the Artist File of San Francisco Cinematheque and Canyon Cinema. The collection includes notes on Baillie’s films, letters to the staff of Cinematheque and Canyon, press clippings and reviews, press releases and program announcements, photocopied photos of Baillie and his family members and friends, interviews, filmographies, biographical info and critical essays. Collection also includes Bruce Baillie: Life/Work, a commemorative zine created by Timoleon Wilkins 1995 and Filmmakers Filming: Bruce Baillie, published by Film in the Cities/the Walker Art Center in 1979. Please see item descriptions for more information on contents. NOTES ON BROWSING: Items (other than booklets/zines) in this collection have been scanned, grouped and described at the “folder level.” Thereby, each “item” consists of multiple pages of disparate materials relating to the life and work of the subject. Browsing within each item is encouraged! This digital collection was created in partnership with <a href="http://canyoncinema.com/">Canyon Cinema</a> and <a href="https://californiarevealed.org/">California Revealed</a>. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Local URL The URL of the local directory containing all assets of the website <iframe width="1000" height="700" src="https://archive.org/embed/casfc_000001" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource BAILLIE LIFE, WORK (a scrapbook) Subject The topic of the resource Motion picture producers and directors--United States; Experimental films--California--San Francisco Bay Area; Baillie, Bruce, 1931-2020; Canyon Cinema; San Francisco Cinematheque Description An account of the resource Limited edition zine, created in honor of Bruce Baillie's return to the Bay Area and in conjunction with a week-long series of screenings, talks, and other activities by and for the artist, April 17-22, 1995. This zine was published by the San Francisco Cinematheque and very few copies exist. Contains photographs, journals, letters, and criticism, including original writing. Edited by Timoleon Wilkins. Creator An entity primarily responsible for making the resource San Francisco Cinematheque; Wilkins, Timoleon; Baillie, Bruce Date A point or period of time associated with an event in the lifecycle of the resource 1995 Rights Information about rights held in and over the resource "Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests." Type The nature or genre of the resource text Format The file format, physical medium, or dimensions of the resource booklet Language A language of the resource eng Identifier An unambiguous reference to the resource within a given context casfc_000001 Contributor An entity responsible for making contributions to the resource Digitization made possible through support provided by California Revealed and the California State Library. https://www.archive.sfcinematheque.org/files/original/8c9629b39b055db2c714b90fc8047016.jpg ee8a54484f67ab1c4cbfd7c1cac63383 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Avant to Live! Craig Baldwin/Other Cinema Digital Collection Description An account of the resource <a href="http://www.othercinema.com/">Other Cinema</a> is an underground film/video exhibition series founded by filmmaker Craig Baldwin in 1985. Still active as of 2022, Other Cinema presents approximately 36 programs annually at the storefront community arts space <a href="http://www.atasite.org">Artists’ Television Access</a>, located at 992 Valencia Street in San Francisco. Known for its passionate and expansive curatorial vision and contrarian stance toward the mainstream culture of media consumption, Other Cinema is known for its engagement with marginalized forms of film history, including activist media, expanded cinema performance, speculative lecture presentations, screenings of films from Baldwin’s own archive, in-person artists and more. Cinematheque’s Other Cinema Digital Collection consists of material digitized by Cinematheque in the course of creating <a href="https://www.sfcinematheque.org/shop/craig-baldwin-avant-to-live-coming-soon/">Craig Baldwin: Avant to Live!</a> documenting Baldwin’s work on Other Cinema. Materials include seasonal exhibition calendars, promotional ephemera, curatorial notes and artifacts, signage and other material related to the history of Other Cinema. Publisher An entity responsible for making the resource available San Francisco Cinematheque Subject The topic of the resource Craig Baldwin, Other Cinema Creator An entity primarily responsible for making the resource Craig Baldwin Source A related resource from which the described resource is derived Other Cinema Date A point or period of time associated with an event in the lifecycle of the resource c.1982–2018 Rights Information about rights held in and over the resource Referencing the originating collection, Craig Baldwin has been listed as a Creator for almost every item in this collection. For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection however so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at <a href="mailto:sfc@sfcinematheque.org">sfc@sfcinematheque.org</a> to discuss proper attribution. Permission to use material: To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at <a href="mailto:sfc@sfcinematheque.org">sfc@sfcinematheque.org</a>. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives. Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Francisco, Calif. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Invisible Insurrection drawing Date A point or period of time associated with an event in the lifecycle of the resource circa 2010 Description An account of the resource Handmade drawing of Craig Baldwin and Bill Daniel, created in anticipation of the (not completed) film "Invisible Insurrection." Artist unknown. Creator An entity primarily responsible for making the resource Schedelbauer, Sylvia Type The nature or genre of the resource image Format The file format, physical medium, or dimensions of the resource ephemera Subject The topic of the resource Other Cinema; Artists Television Access (ATA); Films; Invisible Insurrection Rights Information about rights held in and over the resource Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests. Identifier An unambiguous reference to the resource within a given context CBATL_OC-37-UF-004 Artists' Television Access (ATA) Films Invisible Insurrection Other Cinema https://www.archive.sfcinematheque.org/files/original/194997f77fae57bef812f91da9342a4f.jpg 8f254e431f71bdc1985ea2281e29a541 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Avant to Live! Craig Baldwin/Other Cinema Digital Collection Description An account of the resource <a href="http://www.othercinema.com/">Other Cinema</a> is an underground film/video exhibition series founded by filmmaker Craig Baldwin in 1985. Still active as of 2022, Other Cinema presents approximately 36 programs annually at the storefront community arts space <a href="http://www.atasite.org">Artists’ Television Access</a>, located at 992 Valencia Street in San Francisco. Known for its passionate and expansive curatorial vision and contrarian stance toward the mainstream culture of media consumption, Other Cinema is known for its engagement with marginalized forms of film history, including activist media, expanded cinema performance, speculative lecture presentations, screenings of films from Baldwin’s own archive, in-person artists and more. Cinematheque’s Other Cinema Digital Collection consists of material digitized by Cinematheque in the course of creating <a href="https://www.sfcinematheque.org/shop/craig-baldwin-avant-to-live-coming-soon/">Craig Baldwin: Avant to Live!</a> documenting Baldwin’s work on Other Cinema. Materials include seasonal exhibition calendars, promotional ephemera, curatorial notes and artifacts, signage and other material related to the history of Other Cinema. Publisher An entity responsible for making the resource available San Francisco Cinematheque Subject The topic of the resource Craig Baldwin, Other Cinema Creator An entity primarily responsible for making the resource Craig Baldwin Source A related resource from which the described resource is derived Other Cinema Date A point or period of time associated with an event in the lifecycle of the resource c.1982–2018 Rights Information about rights held in and over the resource Referencing the originating collection, Craig Baldwin has been listed as a Creator for almost every item in this collection. For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection however so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at <a href="mailto:sfc@sfcinematheque.org">sfc@sfcinematheque.org</a> to discuss proper attribution. Permission to use material: To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at <a href="mailto:sfc@sfcinematheque.org">sfc@sfcinematheque.org</a>. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives. Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Francisco, Calif. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Farewell To A Pilot flyer, 12/2011 Date A point or period of time associated with an event in the lifecycle of the resource 12/16/11 Description An account of the resource Flyer for Farewell To A Pilot program at Other Cinema, which took place on December 16, 2011. Includes expanded cinema, acoustics, and electronics featuring a rare audio-visual collaboration between Thomas Carnacki & Sylvia Schedelbauer. Creator An entity primarily responsible for making the resource Schedelbauer, Sylvia Type The nature or genre of the resource text Language A language of the resource English Format The file format, physical medium, or dimensions of the resource flyers (printed matter) Subject The topic of the resource Other Cinema; Artists Television Access (ATA) Rights Information about rights held in and over the resource Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests. Identifier An unambiguous reference to the resource within a given context CBATL_OC-37-UF-019 Artists' Television Access (ATA) Other Cinema https://www.archive.sfcinematheque.org/files/original/a3031da9dc95b455d48f9b2c2b7d5ffb.jpg abc0136d13f49ae5937c4831fb7bf4ed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Avant to Live! Craig Baldwin/Other Cinema Digital Collection Description An account of the resource <a href="http://www.othercinema.com/">Other Cinema</a> is an underground film/video exhibition series founded by filmmaker Craig Baldwin in 1985. Still active as of 2022, Other Cinema presents approximately 36 programs annually at the storefront community arts space <a href="http://www.atasite.org">Artists’ Television Access</a>, located at 992 Valencia Street in San Francisco. Known for its passionate and expansive curatorial vision and contrarian stance toward the mainstream culture of media consumption, Other Cinema is known for its engagement with marginalized forms of film history, including activist media, expanded cinema performance, speculative lecture presentations, screenings of films from Baldwin’s own archive, in-person artists and more. Cinematheque’s Other Cinema Digital Collection consists of material digitized by Cinematheque in the course of creating <a href="https://www.sfcinematheque.org/shop/craig-baldwin-avant-to-live-coming-soon/">Craig Baldwin: Avant to Live!</a> documenting Baldwin’s work on Other Cinema. Materials include seasonal exhibition calendars, promotional ephemera, curatorial notes and artifacts, signage and other material related to the history of Other Cinema. Publisher An entity responsible for making the resource available San Francisco Cinematheque Subject The topic of the resource Craig Baldwin, Other Cinema Creator An entity primarily responsible for making the resource Craig Baldwin Source A related resource from which the described resource is derived Other Cinema Date A point or period of time associated with an event in the lifecycle of the resource c.1982–2018 Rights Information about rights held in and over the resource Referencing the originating collection, Craig Baldwin has been listed as a Creator for almost every item in this collection. For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection however so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at <a href="mailto:sfc@sfcinematheque.org">sfc@sfcinematheque.org</a> to discuss proper attribution. Permission to use material: To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at <a href="mailto:sfc@sfcinematheque.org">sfc@sfcinematheque.org</a>. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives. Language A language of the resource English Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant San Francisco, Calif. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Other Cinema DVD label flyer, circa 2010 Date A point or period of time associated with an event in the lifecycle of the resource circa 2010 Description An account of the resource Flyer advertising the Other Cinema DVD label. Creator An entity primarily responsible for making the resource Schedelbauer, Sylvia Type The nature or genre of the resource text Language A language of the resource English Format The file format, physical medium, or dimensions of the resource flyers (printed matter) Subject The topic of the resource Other Cinema;Artists Television Access (ATA) Rights Information about rights held in and over the resource Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research. Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests. Identifier An unambiguous reference to the resource within a given context CBATL_OC-06-UF-014 Artists' Television Access (ATA) Other Cinema https://www.archive.sfcinematheque.org/files/original/fd10a4b687ab4de33a60b50c84b6b94c.png 9f3aade2c3b21bb1727217fda37d326b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gunvor Nelson Artist File Subject The topic of the resource Gunvor Nelson Description An account of the resource Gunvor Nelson (1931–2025) was one of the most highly acclaimed filmmakers in American avant-garde film. Born in Stockholm, Sweden, Nelson grew up Kristinehamn and moved to northern California in 1953 to study art and art history. Nelson began making films in the early 1960s, releasing her first two films—Schmeerguntz (1966) and Fog Pumas (1967)—Both collaborations with Dorothy Wiley—eventually creating over twenty-five films and digital video works, described by Steve Anker as “one of the great bodies of independent work in the history of the medium.” An uncompromising filmmaker, Nelson regards her own works as “personal films,” a recurring element of which is the connection with her own life and experiences. The early films are based around the experiences of a younger woman, culminating in My Name Is Oona (1969), an expressive portrait of her daughter and Moons Pool (1973), an existentially expressive underwater journey which centres on her own body. With Trollstenen (1976), she began a series of films about Kristinehamn and her family. Typically for Nelson, elements which are local and private fuse together with the general and universal. Nelson’s family and generational study Red Shift (1984), and her painfully sensitive portrayal of her dying mother in Time Being (1991) are regarded as the high points of her family and hometown productions. Nelson moved back to Kristinehamn in 1993, a homecoming already hinted at in her rhythmically edited collage film Frame Line (1983). Having returned to Sweden she quickly moved on to digital video and was rediscovered in Swedish art circles, resulting in a number of awards and retrospectives both at home and abroad. During Nelson’s life in northern California (1953–1993), she was a central figure in the regional art and filmmaking and, with her husband Robert Nelson, played a key role in the development of <a href="http://www.canyoncinema.com">Canyon Cinema</a> and screened regularly with San Francisco Cinematheque. Nelson also influenced generations of filmmakers in her role as a teacher at the San Francisco Art Institute (1970-1992). In 2019, Nelson’s My Name Is Oona was selected by the US Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant" (Artist bio adapted from <a href="https://www.filmform.com/artists/1305-gunvor-nelson/">Filmform</a>) Cinematheque’s digital collection, the Gunvor Nelson Artist File contains twelve items, dated 1970–1992, documenting Nelson’s life and career, including promotional ephemera, program reviews, program notes, correspondence and writings by Chick Strand, James Irwin, Dorothy Wiley and Nelson herself. The twelve items in this digital collection were selected for digitization from Cinematheque’s larger artist file on Nelson. This digital collection was created in partnership with <a href="https://californiarevealed.org/">California Revealed</a>. Creator An entity primarily responsible for making the resource Gunvor Nelson; Bolinas Hearsay News; Bolinas Film Society; San Francisco Cinematheque; James Irwin; Paul Liberatorel; Marin Independent Journal; The New Cinema Seminar; and Dorothy Wiley. Date A point or period of time associated with an event in the lifecycle of the resource c.1970-1992 Contributor An entity responsible for making contributions to the resource Digitization made possible through support provided by California Revealed and the California State Library. Rights Information about rights held in and over the resource Rights to these materials are held by San Francisco Cinematheque. Cinematheque encourages the use of copyrighted materials in accordance with fair use, as defined by copyright law. For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at <a href="mailto:sfc@sfcinematheque.org">sfc@sfcinematheque.org</a> to discuss proper attribution. Permission to use material: To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at <a href="mailto:sfc@sfcinematheque.org">sfc@sfcinematheque.org</a>. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives. Language A language of the resource English Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Local URL The URL of the local directory containing all assets of the website <iframe width="1000" height="700" src="https://archive.org/embed/casfc_000227" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Notes on films by Warren Sonbert and and Gunvor Nelson Subject The topic of the resource Experimental films, Art Description An account of the resource Notes on Warren Sonbert's Friendly Witness and Gunvor Nelson's Natural Features. Author unknown. Warren Sonbert (June 26, 1947 - May 31, 1995) was an experimental filmmaker whose work began in New York in the mid-1960s, and continued in San Francisco throughout the second half of his life. Sonbert taught filmmaking at the San Francisco Art Institute, the School of the Art Institute of Chicago, and Bard College at various times, and regularly reviewed classical recordings and opera, as well as film, for periodicals including The Advocate and the Bay Area Reporter. He died of complications from AIDS at his home in San Francisco in 1995. Swedish artist and experimental filmmaker Gunvor Grundel Nelson was born in 1931 in Kristinehamn, Sweden. Some of her most widely known works were created while she lived in the Bay Area in the mid-1960s and early 1970s, where she became well established among other artists in the avant-garde film circles. Creator An entity primarily responsible for making the resource Sonbert, Warren; Nelson, Gunvor Date A point or period of time associated with an event in the lifecycle of the resource 1989 Contributor An entity responsible for making contributions to the resource Digitization made possible through support provided by California Revealed and the California State Library. Rights Information about rights held in and over the resource Copyright status unknown. This work may be protected by the U.S. Copyright Law (Title 17, U.S.C.). In addition, its reproduction may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. This work is accessible for purposes of education and research. Transmission or reproduction of works protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. [Insert name of Library/Archive] attempted to find rights owners without success but is eager to hear from them so that we may obtain permission, if needed. Upon request to [insert email address at Library/Archive], digitized works can be removed from public view if there are rights issues that need to be resolved. Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource Document Language A language of the resource English Identifier An unambiguous reference to the resource within a given context SFC-AF_Sonbert_notes2 https://www.archive.sfcinematheque.org/files/original/4ea3db03c31eb10e60af4115663cd081.png 0bd91f995b5f81bb6de9a881913b5f13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gunvor Nelson Artist File Subject The topic of the resource Gunvor Nelson Description An account of the resource Gunvor Nelson (1931–2025) was one of the most highly acclaimed filmmakers in American avant-garde film. Born in Stockholm, Sweden, Nelson grew up Kristinehamn and moved to northern California in 1953 to study art and art history. Nelson began making films in the early 1960s, releasing her first two films—Schmeerguntz (1966) and Fog Pumas (1967)—Both collaborations with Dorothy Wiley—eventually creating over twenty-five films and digital video works, described by Steve Anker as “one of the great bodies of independent work in the history of the medium.” An uncompromising filmmaker, Nelson regards her own works as “personal films,” a recurring element of which is the connection with her own life and experiences. The early films are based around the experiences of a younger woman, culminating in My Name Is Oona (1969), an expressive portrait of her daughter and Moons Pool (1973), an existentially expressive underwater journey which centres on her own body. With Trollstenen (1976), she began a series of films about Kristinehamn and her family. Typically for Nelson, elements which are local and private fuse together with the general and universal. Nelson’s family and generational study Red Shift (1984), and her painfully sensitive portrayal of her dying mother in Time Being (1991) are regarded as the high points of her family and hometown productions. Nelson moved back to Kristinehamn in 1993, a homecoming already hinted at in her rhythmically edited collage film Frame Line (1983). Having returned to Sweden she quickly moved on to digital video and was rediscovered in Swedish art circles, resulting in a number of awards and retrospectives both at home and abroad. During Nelson’s life in northern California (1953–1993), she was a central figure in the regional art and filmmaking and, with her husband Robert Nelson, played a key role in the development of <a href="http://www.canyoncinema.com">Canyon Cinema</a> and screened regularly with San Francisco Cinematheque. Nelson also influenced generations of filmmakers in her role as a teacher at the San Francisco Art Institute (1970-1992). In 2019, Nelson’s My Name Is Oona was selected by the US Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant" (Artist bio adapted from <a href="https://www.filmform.com/artists/1305-gunvor-nelson/">Filmform</a>) Cinematheque’s digital collection, the Gunvor Nelson Artist File contains twelve items, dated 1970–1992, documenting Nelson’s life and career, including promotional ephemera, program reviews, program notes, correspondence and writings by Chick Strand, James Irwin, Dorothy Wiley and Nelson herself. The twelve items in this digital collection were selected for digitization from Cinematheque’s larger artist file on Nelson. This digital collection was created in partnership with <a href="https://californiarevealed.org/">California Revealed</a>. Creator An entity primarily responsible for making the resource Gunvor Nelson; Bolinas Hearsay News; Bolinas Film Society; San Francisco Cinematheque; James Irwin; Paul Liberatorel; Marin Independent Journal; The New Cinema Seminar; and Dorothy Wiley. Date A point or period of time associated with an event in the lifecycle of the resource c.1970-1992 Contributor An entity responsible for making contributions to the resource Digitization made possible through support provided by California Revealed and the California State Library. Rights Information about rights held in and over the resource Rights to these materials are held by San Francisco Cinematheque. Cinematheque encourages the use of copyrighted materials in accordance with fair use, as defined by copyright law. For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at <a href="mailto:sfc@sfcinematheque.org">sfc@sfcinematheque.org</a> to discuss proper attribution. Permission to use material: To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at <a href="mailto:sfc@sfcinematheque.org">sfc@sfcinematheque.org</a>. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives. Language A language of the resource English Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Local URL The URL of the local directory containing all assets of the website <iframe width="1000" height="700" src="https://archive.org/embed/casfc_000235" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Warren Sonbert/Gunvor Nelson progam note Subject The topic of the resource Experimental films, Art Description An account of the resource Program note documenting screening of films by Warren Sonbert and Gunvor Nelson, May 6, 1990. Warren Sonbert (June 26, 1947 - May 31, 1995) was an experimental filmmaker whose work began in New York in the mid-1960s, and continued in San Francisco throughout the second half of his life. Sonbert taught filmmaking at the San Francisco Art Institute, the School of the Art Institute of Chicago, and Bard College at various times, and regularly reviewed classical recordings and opera, as well as film, for periodicals including The Advocate and the Bay Area Reporter. He died of complications from AIDS at his home in San Francisco in 1995. Swedish artist and experimental filmmaker Gunvor Grundel Nelson was born in 1931 in Kristinehamn, Sweden. Some of her most widely known works were created while she lived in the Bay Area in the mid-1960s and early 1970s, where she became well established among other artists in the avant-garde film circles. Creator An entity primarily responsible for making the resource Sonbert, Warren; Nelson, Gunvor; Anker, Steve Date A point or period of time associated with an event in the lifecycle of the resource 1989-05-06 Contributor An entity responsible for making contributions to the resource Digitization made possible through support provided by California Revealed and the California State Library. Rights Information about rights held in and over the resource Copyright status unknown. This work may be protected by the U.S. Copyright Law (Title 17, U.S.C.). In addition, its reproduction may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. This work is accessible for purposes of education and research. Transmission or reproduction of works protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. [Insert name of Library/Archive] attempted to find rights owners without success but is eager to hear from them so that we may obtain permission, if needed. Upon request to [insert email address at Library/Archive], digitized works can be removed from public view if there are rights issues that need to be resolved. Type The nature or genre of the resource Text Format The file format, physical medium, or dimensions of the resource Document Language A language of the resource English Identifier An unambiguous reference to the resource within a given context SFC-AF_Sonbert_programnote2